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当前诗歌美学理论的研究,相当明显地体现出向语言本体回归和深化的趋向。表现出一种语言意识前所未有的觉醒和强化。这里,促成这种觉醒和强化的因素,当然是来自内外两个方面。内因,诗歌创作现状的艰窘、矛盾与困境必然综合为诗本身的困境即语言的困境,而以往既成的诗歌理论又僵化、凝固,遥遥踟蹰于真正的诗歌批评之外。外者,现当代西方哲学思潮的横向濡染是明显的,尤其是宣称“语言是在的房屋”的海德格尔等浪漫诗哲对语言本体论的诗意阐述,以及整个二十世纪现当代西方哲学从索绪尔开始的“语言学变革”。这种“语言本
The current study of the theory of poetry aesthetics, quite obviously, reflects the trend toward the return and deepening of linguistic ontology. Showing an unprecedented awakening and strengthening of language awareness. Of course, the factors that have contributed to this awakening and strengthening are, of course, from both inside and outside. The internal embarrasses, contradictions and dilemmas of the current situation of poetry creation must be integrated into the predicament of the poetry itself, namely the language predicament. However, the established poetic theory in the past is rigid and frozen, far behind the real poetry criticism. Outsiders, the horizontal influence of the contemporary Western philosophical trends is obvious, especially the poetic illustration of romantic ontology by Heidegger, who claims that “the language is in the house”, as well as the poetic elaboration of linguistic ontology throughout the twentieth century, Linguistic Change from Saussure. This "language book