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本文以阿格诺索夫主编的《二十世纪俄罗斯文学》为切入点,论述了两个多元,即作家创作方法多元嬗变和学者阐释方法的多元互补的问题,指出只有把握充足的史料,在理念上拨乱反正,才能正确评论现实主义、现代主义、后现代主义在二十世纪俄罗斯文学中的地位;两个多元的事实可以归结到一个认识论的原则上:用多种方法,用多种语言的对话,可以更深刻、更全面地认识世界(现实世界和艺术世界)。
This paper, based on the “Russian Literature of the 20th Century” edited by Agnovsov, deals with the issue of two pluralism, that is, the multiple changes of the author’s creative method and the multiple complementarity of the scholars’ interpretation of the method. He points out that only by grasping sufficient historical data, In order to correctly comment on the status of realism, modernism and postmodernism in Russian literature in the twentieth century, the two pluralistic facts can be summed up in the principle of an epistemological theory: in a variety of ways, in multiple languages Dialogue, you can have a deeper and more comprehensive understanding of the world (the real world and the world of art).