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西方浪漫主义作为西方艺术理论中的核心概念之一,于20世纪初期,随着五四新文化运动对西方文化的整体传播而进入到中国。作为一个历史概念的西方浪漫主义包含着多种意义,本文采用话语分析和图像阅读的方式,从西方浪漫主义的美学意义,流派意义和具体的创作方法三个方面对中国现代美术中的西方浪漫主义进行知识考据。本文肯定西方浪漫主义对中国现代美术发展的重大影响,关注中国美术界吸收和改造西方原文本而创造新文本的能力和过程,力图通过历史文献和逻辑证明的事实建构起西方浪漫主义在中国现代美术中嬗变的学术史。
As one of the core concepts in western art theory, western romanticism entered China in the early 20th century with the spread of western culture through the May Fourth New Culture Movement. Western romanticism as a historical concept contains a variety of meanings. This thesis applies discourse analysis and image reading to analyze western romanticism in modern Chinese fine arts from three aspects: the aesthetic significance of western romanticism, the meaning of genre and the concrete method of creation Doctrine of knowledge. This paper confirms the significant influence of Western Romanticism on the development of modern Chinese fine arts, pays attention to the ability and process of Chinese art circles to absorb and reform the original Western texts to create new texts, tries hard to construct Western romanticism in modern China through the facts of historical documents and logic Academic history of transmutation in fine arts.