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从西方戏剧史来看,先锋戏剧一直作为反商业戏剧的斗士,先锋斗士不甘于被“商业”的洪流猛兽所淹没,顽强的做着抵抗,忍受着清贫与世俗的偏见,保持艺术的纯粹和自由,但在中国,先锋戏剧却有着特殊性。上世纪80年代,《绝对信号》只作为内部交流在排演场上演,没有卖出一张门票。《挂在墙上的老B》,随便一块空地都能演出,在高校的巡演没有一分钱收入。此时的先锋戏剧,纯粹只是艺术追求,没有丝毫商业色彩。这种源于计划经济思想的
Judging from the history of Western drama, Pioneer Theater has always been a champion of anti-commercial drama. Pioneer fighters are reluctant to be overwhelmed by the torrent of “commercial” beasts. They are tenaciously resisting, enduring the prejudices of poverty and secularity, and maintain the artistic Pure and free, but in China, avant-garde plays are special. 80s of last century, “absolute signal” only as an internal exchange performance in the performer, did not sell a ticket. “Old B hanging on the wall,” just a piece of open space can perform in the college tour without a penny income. Avant-garde drama at this time, purely artistic pursuit, without the slightest commercial color. This comes from the thought of a planned economy