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以《挂枝儿》、《山歌》为代表的山歌时调在明代兴盛一时,延至清代仍余势不减。本文拟从明代山歌时调产生的社会大环境出发,结合当时的社会背景与风尚,对《挂枝儿》、《山歌》进行梳理,旨在探讨山歌时调在明代这样一个特殊的社会时期产生发展,兴盛的缘起,以及这些作品产生的根源、流传的社会环境,这对于当今我们文学艺术创作的丰富和发展具有一定的借鉴意义。
The folk songs represented by “hanging sticks” and “folk songs” flourished in the Ming Dynasty and remained undeveloped until the Qing Dynasty. Based on the social environment that the folk songs produced during the Ming Dynasty, this paper attempts to sort out the “hanging sticks” and the “folk songs” in combination with the social background and fashion of that time so as to discuss how the folk songs tune in such a special social period as Ming Dynasty The origin of development and prosperity, as well as the origin of these works and the social environment of spreading, have some reference to the enrichment and development of our literary and artistic creation today.