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“伊玛堪”中的变形情节尤其是女性英雄与“阔力”的变换,是众多“伊玛堪”篇章的重要组成部分,也是它区别于其他民族口头叙事文学而最具赫哲族文化特色的重要因素。根据人物变形的目的、情境及变形之后的形态,梳理出莫日根的三类变形:由物变人、由人变动物、丑化自身,以及女性与神鹰“阔力”之间的互变现象。从变形情节所诠释的原始思维、所储存的时代记忆、隐含的道德诉求三个方面入手,分析其中蕴含的文化内涵。
Transmutation, especially the transformation of female heroes and Kulay, is an important part of the numerous chapters of Emakan and also distinguishes it from oral narratives of other ethnic groups Most Hezhe cultural characteristics of the important factors. According to the purpose, situation and shape after deformation, we can sort out three kinds of deformations of Morjagan: changing people from things, changing things from people, demonizing themselves, and between women and condor Mutual change phenomenon. The original thinking, the memory of the times and the implied moral demands are illustrated from the deformation plots, and the cultural connotations contained therein are analyzed.