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彝剧诞生于彝族丰富的民间艺术基础上,在传播、成长过程中受到花灯、滇剧等艺术形式的综合影响,其整体的发展历程兼具民族性和文化性。但彝剧作为民族文化在新时期的传承模式,无论表现形式如何变化、演绎技法如何完善,其所要实现的最终目标始终都是对彝族传统优秀文化的传播和继承。因此,当下对于彝剧的传承和保护都应始终围绕彝族传统的傩仪文化而展开,实现民族习俗、民族宗教信仰与戏剧表演间的统一;而彝剧未来发展路径选择则必须遵循一个基本要求,即对于民族历史的传承和优秀民族文化的传播,在此基础上结合各类型剧目的特点沿着现实社会进行新剧创作,最终探索出适合彝族居民生活方式的艺术审美表现和审美心理。
Yi drama was born on the basis of rich folk arts of Yi people. Influenced by the artistic forms such as lanterns and Yunnan dramas in the process of dissemination and growth, Yi drama was characterized by its nationality and culture. However, as the inheritance mode of national culture in the new era, the ultimate goal of Yi drama, no matter how its manifestations change and how its deductive techniques are developed, are always the transmission and inheritance of the traditional Yi culture. Therefore, the inheritance and protection of the Yi drama should always focus on the traditional culture of the Yi nationality, and achieve the unification of national customs, religious beliefs and theatrical performances. However, the future development path of the Yi drama must follow a basic requirement , That is, the inheritance of national history and the spread of excellent national culture. On the basis of this, the creative work of new plays along real world is carried out based on the characteristics of various types of plays, and finally the artistic aesthetic performance and aesthetic psychology suitable for the living style of Yi residents are explored.