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我看白先勇先生的青春版《牛土丹亭》演出,是今年四月,在北京大学。上、中、下本分三日演出,演出非常成功,观众反响强烈。走出剧场,我想了许多问题,思绪翻涌,久久无法平静。后来,我曾有机会就自己的一些看法,与白先勇先生较为深入地交换了一次意见,进行了沟通。因为我的某些看法,窥见了他的初衷,揣摩到他在学术上精益求精的良苦用心,包括某些细部打磨上尽善尽美的不倦追求,他以为“于我心有戚戚焉”。在这篇文章中,我想谈三个方面的问题:白先勇是青春版《牡丹亭》的灵魂;青春版《牡丹亭》的艺术特色;青春版《牡丹亭》成功演出的意义。现概述如下:
I see Mr. Bai Xianyong’s youth version of “beef Danding Pavilion” performance, in April this year, at Peking University. On the middle, under the sub-day performances, the show was very successful, the audience reacted strongly. Out of the theater, I think many questions, thoughts surging, a long time can not be calm. Later, I had the opportunity to exchange views and communicate with Mr. Bai Xianyong in depth on some of his own views. Because of some of my views, glimpsed his original intention, try to figure out his good intentions of academic excellence, including some of the fine grinding on the pursuit of perfection, he thought “in my heart have a roar of relatives.” In this article, I would like to talk about three issues: Bai Xianyong is the soul of the youth version of The Peony Pavilion, the artistic features of the youth version of Peony Pavilion and the significance of the successful performance of the youth version of The Peony Pavilion. Now summarized as follows: