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中国女性的绘画地位,从最初的禁闭到五四新文化的改革,走过了一条相当漫长及艰难的道路。近代女性艺术的地位虽有所提高,但依然存在歧视,女性艺术还处于从属地位。现当代社会是一个经济全球化的经济社会,作为艺术家,也会顺应时代潮流,不断的宣传自己。但作为女性艺术家,她们受社会和家庭的限制,女性艺术面临着更大的困难,该何以作为,成为思考的问题。
The painting status of Chinese women went through a rather long and difficult road from the initial confinement to the reform of the May Fourth new culture. Though the status of modern female art has been improved, discrimination still exists and the art of female is still in a subordinate position. Modern society is an economic and global economic society. As an artist, it will follow the trend of the times and constantly promote itself. However, as female artists, they are subject to social and family constraints. Female art faces even greater difficulties. What makes it so is a question of thinking.