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“变奏曲式”这一古老的曲式经过不同时代的发展,形成了多种多样的变化形态。它从表面呈现出来的形式不外乎由主题加上若干个变奏,这不定量的变奏间虽暗含逻辑,但如果不加以整合,容易在演奏演绎中给听者造成结构零散的错觉。因此,一部好的变奏曲作品往往会以一个更大型的载体承载着这个看似零散的音乐内容,使作品具有更强的逻辑性与结构感。本文选择克拉拉·舒曼这首较少被研究及演奏的作品作为研究对象,一方面从结构上更好地认识这部作品,从而发掘其蕴藏着深邃的逻辑与丰富的情感;另一方面也试图让广大爱乐者从这部作品中更多地了解克拉拉以及认识这部精湛的作品。
“Variations ” This ancient music through different times of development, formed a variety of forms of change. It appears from the surface of the form is nothing more than by the theme with a number of variations, although the implicit variation of the implied logic, but if not integrated, easy to perform in the interpretation of the structure caused by the illusion of fragmentation. Therefore, a good variation of variegated works often carries this seemingly fragmentary music content with a larger carrier, which makes the work more logical and structural. This article chooses Clara Schumann as the research object, which is seldom studied and played. On the one hand, it understands the work better from the structure, so as to find out its profound logic and rich emotions. On the other hand Also try to let the majority of musicians from this work to know more about Clara and know this superb work.