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董其昌是明代著名的书法家、绘画家,对于他的绘画和书法,以及书画理论的评论历来存在着众多的争议,但是这并不影响他在中国古代艺术史上不可动摇的地位,尤其是独特的书风,受到众多学者的称赞,堪称一绝。在书法创作方面,董其昌善于博采众长,吸取各家书法创作的精髓,再加上自己后天的不懈求索,创造出了具有自己艺术特色的书法风格。本文将从董其昌书法的表现形式、艺术根源、艺术价值三方面来分析其书法的审美意境。
Dong Qichang, a famous calligrapher and painter in the Ming Dynasty, has always had many controversies about his paintings and calligraphy and his comments on calligraphy and painting. However, this does not affect his unshakable position in the history of ancient Chinese art, especially his unique Book style, praised by many scholars, called a must. In calligraphy creation, Dong Qichang is good at drawing upon others, drawing on the essence of each calligraphy creation, together with his inexhaustible pursuit of the day after tomorrow, creating a calligraphy style with his own artistic features. This article analyzes the aesthetic conception of calligraphy from three aspects: the expression of Dong Qichang’s calligraphy, the origin of art and the value of art.