【摘 要】
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“长鞭哎那个一甩吔,叭叭地响哎……要问大车哪里去,沿着社会主义大道奔前方哎.”这是上世纪70年代电影《青松岭》的主题曲,一部电影火了万山大叔,让人们记住了假小子秀梅,“投机倒把分子”钱广等等.一晃过去了半个世纪的时光,电影《青松岭》编剧之一孙德民先生,再续前缘,创作了话剧《青松岭的好日子》.从电影《青松岭》到话剧《青松岭的好日子》,我们看到了山村生活的沧桑巨变,感受到历史的纵深感,更感受到创作者对生活、对戏剧那份深沉的爱.
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“长鞭哎那个一甩吔,叭叭地响哎……要问大车哪里去,沿着社会主义大道奔前方哎.”这是上世纪70年代电影《青松岭》的主题曲,一部电影火了万山大叔,让人们记住了假小子秀梅,“投机倒把分子”钱广等等.一晃过去了半个世纪的时光,电影《青松岭》编剧之一孙德民先生,再续前缘,创作了话剧《青松岭的好日子》.从电影《青松岭》到话剧《青松岭的好日子》,我们看到了山村生活的沧桑巨变,感受到历史的纵深感,更感受到创作者对生活、对戏剧那份深沉的爱.
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