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自1999年首届新概念作文大赛始,80后写作者们渐次进入公众视野,并多以书写一代人的个体经验和青春体验而为大众所熟知。但随着时间的推移,“书写青春”这一80后作者曾经的优长逐渐成为他们的局限,面临着写作难以介入现实的质疑。面对这一局面,一部分80后作者也开始尝试着突破和转型。张悦然的新作《茧》即是其中一例。与此前的创作相比,《茧》显示了接续历史的明确意图。在李佳栖与程恭对程恭祖父遇害真相
Since the inception of the first New Concept Composition Contest in 1999, writers in the 80s have gradually entered the public field of vision and are mostly familiar to the general public by writing the personal experiences and youth experiences of a generation. However, with the passage of time, the outstanding post-80s writers who used to write youth have gradually become their limitations, facing questions that it is hard to intervene in the writing. In the face of this situation, some 80 writers also began to try breakthrough and transformation. Zhang Yueran’s new book “Cocoon” is one example. Compared with previous works, “Cocoon” shows the clear intent of connecting history. In Li Jiaqi and Cheng Gong Cheng Jun grandfather killed the truth