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所谓“意念作伪”,是指有的名家书画怍品,若是单纯局限于“笔迹”做鉴定,它可能完全都是真实可靠的,即作品的内在要素均系作者亲笔。但要是从“一件”作品的要领和作品的整体构成,或上升到作品的艺术构思高度来说,它却不是“原装”的,也可以说是不真实的。这种背离了原作者的创作理想或意图的作伪手法就是“意念作伪”定义的字面表述。它主要针对书画鉴藏与经营界中较普遍存在的“我行我素”;随名家作品所有权拥有者的个人意志为转移,对名家书画作品采取的一种轻率与“无礼”行为。
The so-called “fake ideas,” refers to some famous calligraphy and painting products, if simply confined to “handwriting” to identify, it may be entirely true and reliable, that is, the intrinsic elements of the work are the author’s handwriting. However, if the essentials of a piece of work and the overall composition of the piece or the artistic concept of a piece rise to the highest, it is neither “original” nor false. This kind of deviation from the original author’s creative ideal or intentional pseudo-technique is the “concept of pseudo” definition of literal expression. It mainly focuses on the more common practice in painting and calligraphy collection and management circles. With the transfer of personal will of the owner of the mastership works, it takes a kind of reckless and “rude” act on famous calligraphy and painting works.