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本文拟在广泛的社会、历史语境下,从当代非裔美国剧作家奥古斯特·威尔逊的个人记忆及其笔下的历史记忆这一双重角度,来透析他如何以小山区为轴心来完成自己的非裔美国历史书写。真实与虚构、过去与现在、个人记忆与集体记忆共同构建出威尔逊系列剧中的小山区,而多种叙事元素之间既相互角力又彼此融合,于是,威尔逊的历史书写在突出小山区的世纪变迁这条叙事主线的同时,还带有一种蕴含张力的含混性和神秘感,指向被遗忘甚或被刻意掩藏的种族过往,从而充分体现出作者对于非裔美国历史、文化的深层次思考。
This article intends to analyze how he focuses on the small mountainous areas from the dual perspective of the personal memory of contemporary African American playwright Auguste Wilson and his historical memory under a wide range of social and historical contexts. Complete your own African-American history writing. True and Fictional, Past and Present, Personal Memory and Collective Memory Co-construct Wilson Hill Series of Small Mountain Areas, While Multiple Narrative Elements Are Both Mutually Equitable and Mutual Fundamental, Wilson’s History Writes in a Century Highlighting the Hills In the meantime, this line of narrative has been changed. At the same time, it also has a kind of ambivalence and mystery that contains tension, which points to forgotten or deliberately concealed races past, which fully reflects the author’s deep thinking on African American history and culture.