论文部分内容阅读
当一部被人认可的电子音乐作品问世时,我们不太会过多地关注它运用的哪一种音乐流派的技术理念;但当我们为了创作出设想的电子音乐作品时,又不得不去综合考虑选择利用何种音乐流派的技术和理念,来真正地实现电子音乐创作成果。本文将了解具体音乐的基本途径、代表人物及他们的音乐作品。并理清具体音乐技术的发展脉络和风格走向;将分析具体音乐典型代表——吕克·费拉利的《几乎没有》电子音乐作品,从音响材料、声音细节、技术方法、创作过程中音响组织方式等多方面进行解析。为更好地理解与创作具体音乐作品提供一些参考。
When an acclaimed piece of electronic music is available, we are less likely to pay too much attention to the technical philosophy of which genre of music it uses; yet as we have to go to create the envisioned electronic music piece Consider the choice of what kind of music genre technology and ideas to truly achieve the electronic music creation. This article will understand the specific ways of music, representatives and their musical compositions. And clarify the development of specific music technology context and style trends; will analyze the typical representative of the specific music - Luc Feilali’s “almost no” electronic music from the audio material, sound details, technical methods, the process of creation of audio Organization and other aspects of analysis. Provide some references for better understanding and creation of specific musical works.