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近两年来,中国电影都滑入低谷,难于自拔。这种现象的形成,固然存在复杂的客观原因,但更重要原因在于,我们的电影工作者并没有对观众的层次结构、欣赏习惯给于高度的重视。电影创作的出发点往往不是立足于大众的根本需要,而是一窝蜂地赶时髦。只是到了电影上座率的危机威胁电影生存时,人们才不得不考虑到观众的问题。尊重大众的欣赏习惯,是电影赢得观众的前提。中国大众的欣赏习惯是什么呢?我以为不外以下几点: 一、几千年传统文化的积淀,长期的内忧外患
In the past two years, Chinese films have slipped to the bottom and are hard to extricate themselves. The formation of this phenomenon, although there are complex objective reasons, but more important reason is that our filmmakers did not view the hierarchy, enjoy the habit of giving a high degree of attention. The starting point of film creation is often not based on the fundamental needs of the public, but rushed to rush. It is only when the crisis in movie attendance threatens the survival of the movie that people have to take into account the audience. Respect for the public’s appreciation of the habit of the movie is to win the audience’s premise. Chinese people’s appreciation of what is the habit? I think the following points: First, the accumulation of thousands of years of traditional culture, long-term internal and external problems