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本文就《全元戏曲·赵氏孤儿记》的剧目说明提出三点商榷意见。一、赵氏孤儿题材南戏非由纪君祥杂剧《赵氏孤儿》直接影响出现 ,亦非产生在元代后期。二、该剧目说明根据景李虎《元代南戏〈赵氏孤儿记〉的重要价值及版本源流》一文提要而成。然景文所概括的赵氏孤儿剧目的版本源流既不确也不全。三、《六十种曲》本《八义记》并非徐元所作。毛晋于《八义记》下署名徐元 ,造成有清一代著录上的误会。而徐本则是更接近史实的本子。
This article puts forward three suggestions on the narration of “Yuan Yuan Opera and Orphan in Zhao”. A, Zhao orphan theme Nanxi non-Ji Junxiang drama “Orphan” a direct impact, nor occurred in the late Yuan Dynasty. Second, the repertoire description according to King Li Hu << Yuan Dynasty South Opera << Zhao orphan records >> important source of value and version >> a summary. However, the version of Zhao’s orphan play outlined in King Wen’s source is neither accurate nor complete. Third, “sixty kinds of music” The “meaning of the eight” is not made by Xu Yuan. Mao Jin in the “Eight Meanings” under the signature Xu Yuan, resulting in misunderstanding on behalf of the Qing generation. While Xu Ben is closer to the book of history.