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乌尔善导演的《画皮2》围绕人妖换心的主要故事情节,在唯美华丽的画面包装下,却呈现出有佛家哲学意味的皮相和心相(肉体和心灵)之间的两难抉择,从而突破了通俗人妖恋的主题桎梏,将影片主题升华到皮相和心相之间的纠葛和冲突上。本文将结合精神分析的相关理论读解电影《画皮2》,分析影片中的人物的无意识活动和行为的心理依据,阐述电影与梦和境的关系,以更加全面、深入的解读电影文本。
The main story of “Painted Skin 2” directed by Wu Er-sha, focusing on the transformation of the demon, presents a dilemma between the skin phase and the heart phase (body and soul) of the philosophical meaning of Buddhism under the beautiful and gorgeous pictures and packaging. Thus breaking the popular ghost love theme fickle, sublimation of the theme of the film to the phase and the heart between the entanglement and conflict. This article will analyze the movie “Painted Skin 2” based on the related theories of psychoanalysis, analyze the psychological basis of the unconscious activities and behaviors of the characters in the film, elaborate the relationship between the movie and the dream and the environment, and interpret the movie texts more comprehensively and deeply.