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近年来我国电影工作者曾多次在银幕上表现了毛泽东在各个不同时期的形象。有长征时的《四渡赤水》、《大渡河》;有抗战时期的《西安事变》;有解放战争时的《风雨下钟山》,在这些影片中,毛泽东或是做为主要角色、或是做为次要角色,经过编导、演的努力,再现在观众面前。做为塑造领袖人物的尝试,无疑是应当给予肯定的。在这里,笔者只是想对毛泽东的银幕形象的不足之处和形成的原因加以粗浅的探究。 总的讲,近年来银幕上毛泽东形象给观众的印象不是很深刻的,看过之后总有一种浮于概念化的感觉。
In recent years, the movie workers in our country have repeatedly demonstrated Mao’s images in different periods on the screen. There were the “Siduchishui” and “Daduhe River” during the Long March; the “Xi’an Incident” during the Anti-Japanese War; the “Bell and the Wind” during the War of Liberation. In these films, Mao Zedong either played a major role or Is as a secondary role, through the director, acting effort, reproduced in front of the audience. As an attempt to mold the leader, it is undoubtedly to be affirmed. Here, I just want to explore the inadequacies and causes of Mao Zedong’s screen image. In general, in recent years the image of Mao Zedong on the screen gives the impression of the audience is not very profound, after reading there is always a sense of floating in the concept of.