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艺术存在于时间中,同样,时间也存在于艺术中。存在于艺术中的时间,无论其隐显,抑或无论其长短,都会聚集态最终构成一种时间形态,那就是艺术时间。艺术时间不仅成为作用于我们视知觉能力的艺术功能显现要素,而且更成为游离于我们凝视之外的艺术本体存在构件。从这个意义上说,我们有可能而且有必要,从不同的凝视位置,或从不同的知识立场,对艺术时间在艺术本文中的存在真相,给予较为清晰的揭蔽。这种揭蔽,既有助于艺术认
Art exists in time. Similarly, time exists in art. The time that exists in the arts, whether it is hidden, or whatever its length, will eventually form a temporal form of aggregation that is art time. Art time not only becomes an element of expression of the artistic function that acts on our ability of perception, but also becomes a component of the artistic ontology that is free from our gaze. In this sense, it is possible and necessary for us to expose the truth about the existence of artistic time in the artistic text from different positions of gaze or from different positions of knowledge. This expose, both contribute to artistic recognition