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五代时期短短的五十三年大致与人之中寿相当,又处于唐宋两座文化高峰之间,在悠久的历史长河中被忽略似乎是注定了的。政局动荡,小国林立,这本身给这段历史的理解带来了一定困难。加之仅有的些许关注又为热闹的政治剧所吸引,于是文教事业,尤其是儒家经籍刻印这种具有里程碑意义的文化盛举往往隐而不显。对于儒家经籍的刊印,后唐与后蜀,二者孰先发起,孰先完成呢?后唐发起的监本与“李锷书印本五经”之间是否有关系,又有何关系呢?今人李致忠先生的专著《古代版印通论》论及五代十国版印儒家经典一节,或因受制于“通论”模式,泛泛而论中不乏可商榷之处,尚不能令人满意。笔者于此原呈愚者之一得,以求教于大方之家。
The short 53 years of the Five Dynasties period was roughly comparable with that of man and was between the two cultural peaks of the Tang and Song dynasties. It seems to be doomed to be ignored in the long course of history. The political turmoil and the small country are everywhere, which in itself has brought some difficulties to this historical understanding. In addition, with only a few attention attracted to the lively political drama, cultural and educational undertakings, especially Confucianism engraving, are often hidden in cultural milestones. What is the relationship between the postmortem and the “Li Wu Shu” printed by the late Tang? Li Zhizhong’s monograph, “The Ancient Version of Indo-Confucianism,” discusses the Confucian classics of the Five Dynasties and the Ten Kingdoms Edition, or is subject to the “general theory” mode. The author here was one of the original fool, in order to teach in the generous home.