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2004年—2006年本人作为国家教育部公派的艺术类访问学者,有幸在俄罗斯做较长时间的学术研究。当来自远方的我直观面对“俄罗斯现实主义新生代”作品时,一系列的问题油然而生。如何以一个开放式的语境去剖析俄罗斯美术?新的俄罗斯美术形式如何体现绵延至今的历史“现实主义”精神?究竟什么样的“现实主义”艺术形式才能真正切入当代?如果俄罗斯造型艺术仅以民族本土性,来应对当代社会是否具有足够的说服力?而造型艺术的形式本身与时代性之间究竟是怎样的关系}由此引出种种思考,将是本文论述的主旨。
From 2004 to 2006, I, as an art visiting scholar assigned by the Ministry of Education of the People’s Republic of China, had the privilege of doing a long-term academic research in Russia. When I came from afar to face the works of “Russian Realism”, a series of questions arose spontaneously. How to analyze Russian art in an open context? How does the new Russian art form embody the historical “realism” that has lasted till now? What kind of “realistic” art form can really cut into the contemporary? If Russian style art only with the national indigenous nature, to deal with whether contemporary society has enough persuasion? And the art of the form itself and the era of what is the relationship between} What leads to thinking, will be the subject of this article.