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自上个世纪70年代末至整个80年代,随着思想解放运动及改革开放大潮的兴起,我国的文学艺术出现了一个称之为“新时期”的“探索与革新”的发展期。这可以说是发生在我国20世纪后期的一次“文艺复兴”。我从自己的教学与创作的范畴,简括地回述一下这个时期话剧导演艺术的经验与启示。新时期话剧舞台艺术出现了一系列新的现象。在新时期,导演主体意识的觉醒,导演思维方式的活跃以及美学原则与演剧观念的超越,使这个时期的导演艺术迈入我国导演艺术的新的阶段。
Since the late 1970s and the 1980s, along with the rise of the ideological liberation movement and the tide of reform and opening up, there has been a development of “exploration and innovation” called “the new period” in Chinese literature and art. period. This can be said to be a “Renaissance” that took place in the late 20th century in our country. From my own teaching and creative areas, I briefly recapitulate the experience and inspiration of the art director in this period. A series of new phenomena have emerged in theatrical art in the new period. In the new era, the awakening of the director’s consciousness of the director, the active manner of the director’s thinking and the transcendence of the aesthetic principle and the concept of the drama make the director’s art of this period enter the new stage of director’s art in our country.