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在回顾20世纪90年代中国诗歌美学思潮的发展历程时,我们不难发现,种种的诗歌论争和事件背后有一个根本的美学分歧在起着决定性作用,90年代出场的“知识分子写作”与“民间写作”继承的分别是80年代源自朦胧诗的现代主义诗歌理想和后朦胧诗的后现代主义诗歌美学思想。这两种美学
In retrospect of the development of Chinese poetry aesthetics in the 1990s, we can easily find out that there are fundamental differences of aesthetics behind the various poetry debates and plays a decisive role. In the 1990s, “writing of intellectuals” and " The folk writing inherits the postmodernist poetic aesthetics thought of the modernist poetry from the obscure poems of the 1980s and the obscure poem afterwards. These two aesthetics