论文部分内容阅读
谈到人类视觉文化经验史,我们首先就不得不追究“到底是什么造就了我们观察世界的方式”这个问题。当我们观察儿童的自发涂鸦或早期人类以岩画为主的美术作品的时候,就会发现人类本能的视觉行为特征是“主观性”和“运动性”。这些特征也保留在所有文明中那些未经历过“专业”影响而呈现出一种原生状态的民间美术作品中。甚至在上个世纪初接受了以油画为主的西画观察方式的改造之前的中国传统绘画的视觉文化传统中,这种主观性和运动性的特
When it comes to the history of the experience of human visual culture, we first have to hold the question “what exactly has created the way we observe the world?” When we look at children’s spontaneous graffiti or early human rock art as the main works of art, we can find that the visual characteristics of human instinct are “subjectivity ” and “movement ”. These features also remain in all civilizations who have not undergone “professional” influence and showed a native state folk art works. Even in the visual and cultural traditions of traditional Chinese painting prior to the transformation of the Western-style oil painting-based observation of the early part of the last century, such subjectivity and sporting special