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二人转的丑(或日下装)在二人转一旦一丑的两个角色中的地位和作用,有许多艺人作了非常精辟的论述,诸如“八分包头的(还有说五分包头的),要十分唱丑的。”“旦领路,丑跟做,戏成功不成功,决定在丑身上。”可见丑在二人转两角色中的重要性。1.二人转一旦一丑的演出形态是怎么形成的,何时形成的,尚不可考;但是作为一种构成因素,二者是不可缺的,特别是丑。而提高丑的娱乐功能又成为二人转艺人们在演出实践中不断摸索,从而形成演出范式的基本的主攻方向,积累了一系列关于丑的表
There are many entertainers who have made very incisive discourses on the status and role of the duo (or the underwear) in the two roles in which the two have turned into an ugly one, such as “eight sub-contractors (and five-point sub-contractors) To sing very ugly. ”“ Once the collar, ugly to do with the success of the show unsuccessful, decided on the ugly body. ”Visible ugly role in the duo turn two roles. 1. When the duo turns into an ugly form of performance is formed, when formed, not yet test; but as a component, the two are indispensable, especially the ugly. The ugly entertainment function has become the two artists in the performance of practice constantly groping, thus forming the basic performance of the main paradigm of the show, has accumulated a series of ugly table