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昨夜我抱着两个疑问而睡觉:第一,吹口琴时,就用某音左面的几个音作为某音的伴奏,为什么都很调和?第二,“松柏凌霜竹耐寒”的乐曲这样短小,这样简单,这样缓慢,这样平易,为什么反比那种长大、复杂、急速、困难的乐曲更加好听?今天起身后,我本想就去质问陆先生和爸爸。可是他们一早就出门,直到很晚才回来。陆先生没有放下史的克①,我就把第一个问题问他。他把我的问句顺了两遍:“为什么都调和,为什么都很凋和?”然后笑着对我说:“如金,你这样欢喜研究,倒很难得!”
Last night I was sleeping with two questions: first, when playing the harmonica, using the left side of a tone as a sound accompaniment, why are all reconciled? Second, “Songbai Ling Frost Bamboo cold” song is so short, So simple, so slow, so easy, why the anti-growth, complexity, rapid, difficult music is better? After I got up, I wanted to go to question Mr. Lu and father. But they went out early in the morning and did not come back until late. Mr. Lu did not lay down the history of grams, I asked him the first question. He passed my question twice: “Why are all reconciled, why are all withered?” And then said with a smile to me: “If you are so happy to study, you are so rare!”