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形象是戏剧艺术的生命,也是支撑戏剧宫殿的支柱。一部戏剧作品的审美价值在很大程度上将取决于形象的审美价值,正如劳逊所说:戏剧作品的永久价值“却在于人物形象的创造”。形象创造是一个十分复杂的艺术工程,它既受作家主体意识、审美观念和生活积累等的内在制约,又受群众审美情趣、审美需求等诸多外部因素的制约。因此,在内外双重制约下,不同作家主观审美意向的不同倾斜,便造就了形象创造纷繁复杂的艺术景观。80年代是全面改革开放的新时期,当作家在
The image is the life of dramatic art and the backbone of the theater. The aesthetic value of a dramatic work will largely depend on the aesthetic value of the image, as Lawson puts it: the permanent value of the dramatic work “lies in the creation of the character.” Image creation is a very complicated art project. It is not only subject to the inner constraints of the writer’s subject consciousness, aesthetic concept and life accumulation, but also restricted by many external factors such as the aesthetic taste of the people and the aesthetic needs. Therefore, under the dual constraints of both inside and outside, the different inclination of the subjective aesthetic intention of different writers creates the complex artistic landscape of creating images. The 1980s is a new era of comprehensive reform and opening up and is a writer