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陶艺三大语言:泥、火、釉泥:泥是创作主体在实施个人主张所造成的造型手法、肌理以及预想到的烧成结果的一种过程,是创作最重要的一个环节。十几年来,一直痴迷于古老的卷泥片成型的手法,不采取任何机械或模具等可拷贝的形式,通过对泥片的挤压,把非理性的肌理进行理性运用,作用于造型复杂的人物形态,来表达创作主体的个人情感和世界观。着力改变泥料直立性和烧成软化过程的力学结构的研究,致力于拓宽陶艺成型的空间探讨。告诫自己不去钻研空洞、虚无、抽象的观念和理论的表达,陶艺是实在的,客观的。
Pottery three languages: mud, fire, glaze mud: mud is the main body in the implementation of personal ideas caused by the modeling practices, texture and the expected outcome of a firing process is the most important part of the creation. For more than ten years, he has always been obsessed with the ancient method of forming a coupon. Without taking any form of copying such as mechanical or mold, it can make rational use of the irrational texture through pressing the mud, Character form, to express the main body of the individual feelings and worldview. Efforts to change the vertical structure of the mud and burn softening process of the study of the mechanical structure, is committed to broaden the pottery forming space exploration. Admonish yourself not to study empty, nothingness, abstract concepts and theoretical expression, pottery is real and objective.