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读完《美术观察》2003年第3期刊发的署名闻松的文章《未竟之渡——我看第十六届版画展》,我觉得该文对全国版画展的微词有些是由于对这个展览的宗旨和运作不太理解所致,有必要对全国版画展的一些具体情况作一说明,一是能避免误解,二是增进各方面的理解,并引发更为有益和深入的讨论。 任何一种展示行为都不可能绝对公正,绝对公正的条件是绝对的平衡,而绝对平衡的努力往往成为绝对不平衡的诱因,因此绝对公正的想像也同样可能
After reading Art Signature No. 3 of 2003, signed by Wen Song, “The Unfinished Transition - I Think of the Sixteenth Print Exhibition”, I think some of the criticisms of this article on the National Printmaking Exhibition are due to the fact that this exhibition It is necessary to give some explanations on some specific situations of the National Printmaking Exhibition. First, we can avoid misunderstanding. Second, we should enhance our understanding of all aspects and lead to more beneficial and in-depth discussions. It is impossible for any kind of display to be absolutely fair. The conditions of absolute fairness are absolute balance. Absolutely balanced efforts are often the cause of absolute imbalance. Therefore, it is equally possible that an absolutely fair imagination