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一、设计目的和背景排笙和抱笙设计,是以苗族芦笙乐队(包括高低音芦笙和大筒)的簧管加共鸣筒扩音原理与传统笙相结合,并引用到中国多民族的大乐队之中为依据的。一九五五年,我在中央人民广播民族乐队的排演中,感到乐队的和声不够丰满,音乐的民族风格和色彩还应该更鲜明,需要充实新的素材。为此,我于当年作了一次在传统笙上加共鸣筒扩音的实验。一九五六年,我又与王君瑾同志深入到广西大苗山雨卜
First, the design purpose and background Pai sheng and huang Sheng design, based on the Miao Lusheng band (including bass and bass Lusheng big tube) reed pipe plus PA sound amplification principle combined with the traditional Sheng, and quoted to the Chinese multiethnic big band Based on. In the rehearsal of the Central People’s Broadcasting Traditional Orchestra in 1955, I felt that the orchestra’s harmony was not plump. The national style and color of the music should also be clearer and need to be enriched with new material. For this reason, I made an experiment in that year on the traditional Sheng plus PA sound reinforcement. In 1956, I visited Comrade Wang Junjin and went deep into Guangxi’s Da Mau Shan Yu Bu