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一代京剧名家厉慧良先生,强调南功北艺,长期以来精虑覃思,潜心修炼,经过数十年的苦苦求索,终于形成了自己独特的表演风格。在其演出的众多剧目中,给观众留下了鲜活的印象。现就其在代表剧目《艳阳楼》中,忠实地继承传统,对整部戏的艺术构思,人物刻画和节奏安排,进行符合当代观众欣赏需求的革新之举,笔者略谈管窥之见,若有舛误错漏,望方家给予指正。厉慧良先生演出的《艳阳楼》是待徐母、徐士英和徐佩珠等下场后,场面换锣打[快冲头]收
Peking Opera masters Li Huiliang, emphasizing the Nangong Beiyi, long-term refined thinking Qin thinking, devote themselves to cultivation, after decades of painstaking search, and finally formed its own unique performance style. In the many repertoire of performances, the audience was left with a vivid impression. Now, on the representative drama “Sunny House”, I faithfully inherit the tradition and make innovations in the artistic conception, characterization and rhythm arrangement of the entire play in line with the needs of contemporary audiences. There are mistakes mistakes, hope Fang Fangjia give correction. Mr. Li Huiliang performance of the “Sunny House” is to be Xu mother, Xu Shiyi and Xu Peizhu and other end, the scene for gongs hit [fast punch] income