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杨重光来自中国。我喜欢其人,但更喜欢他的画。昨天在为他所举办的现代水墨面展览上,我度过了一个难忘的下午。他的画使我想到了古老的中国的过去及它的未来,中国的山水、自然与人。从他的绘画中也让人领悟到东力神秘的禅境。我感到我们西方人生活空间与精神空间的狭隘。 自然与单纯是我们人类共同所追求的终极。在这点上东方人早就是我们的师祖了。中国古代人的绘画与生活便是一个例证。而在德国现代艺术家博余斯和西班牙塔匹埃斯等人身上我们亦发见这种东方哲人的神采。 重光的现代水墨画自然流畅、优美而充满苦涩,神秘而又富于诗意,我和他一并在他的画中神游,然后又一同
Yang Chongguang from China. I like people, but I prefer his paintings. Yesterday I spent an unforgettable afternoon in the exhibition of modern ink for him. His paintings remind me of the past of ancient China and its future, the landscapes, nature and people in China. From his paintings, people also realize the mysterious Zen of Tung-li. I feel that we Westerners living space and spiritual space is narrow. Nature and simplicity are the ultimate pursuit of our common humanity. At this point, the Oriental has long been our ancestor. The painting and life of ancient Chinese people are an example. In the German modern artists such as Bo Yunsi and Spanish Tapies and other people we also see the look of this Eastern philosopher. The heavy light modern ink painting is naturally flowing, beautiful and full of bitterness, mysterious and poetic, and I join him in his paintings, and again