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在写这篇文章之前,我是着实费了一番踌躇的,工笔画历经千余年的陶铸,已臻至成熟的样态和境界,其特定的表现形式也已深入人心,在我有限的赏画、评画经历中,发现若将工笔画与写意画做一比较,其发挥解读的空间相对要小,尤其对于目前偏重形式创造的大趋势来说。但老友薛俊华与我相交十多年,他每每所展示的画作带给我眼前一亮的感觉终究还是让我鼓起勇气妄作评论一番,以博好
Before writing this essay, I did not hesitate for a long time. After more than a thousand years of pottery painting, the realistic painting style has reached a mature state and realm. Its specific manifestations have also been deeply rooted in the hearts of people. In my limited In the experience of painting, drawing and painting, I found that if I compare my works of art with freehand brushwork, the space for interpretation is relatively small, especially for the general trend of over-emphasis on formal creation. But an old friend Xue Junhua and I intersect for more than a decade, he often show my paintings bring me a glimpse of the feeling after all, let me summon the courage to make some comments,