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创作是精神的动态延续,它的不确定性在于其追求和表现动机上,方方面面无法等同于过去。由于书法家生活在一个动态的社会环境里,尽管历史上遗留下来的书法艺术已经凝固,但用后人活动着的思维去审视,就出现了诸如人格的发展、行为的动力、心理过程的机制等层面上的差异,引起了价值取向的不一,譬如王羲之、王献之、欧、虞、颜、柳、赵;譬如民间写经、北魏墓志,其审美价值都出现了改变。尽管都承认创作是精神心灵的需要,是精神心灵的体味,但发展却截然出现差异,这才使书法创作得以发展。各自的审美价值取向,获得了具有个性化涵义的心理表现形式,构成了推动书法艺术活动向
Creation is the dynamic continuation of the spirit. Its uncertainty lies in its pursuit and motivation. All aspects can not be equated with the past. Because calligraphers live in a dynamic social environment, although the calligraphic art that has been left over in history has been frozen, judging from the thoughts of posterity, there appear such factors as the development of personality, the motive force of behavior, the mechanism of psychological process Such as Wang Xizhi, Wang Xianzhi, Europe, Yu, Yan, Liu, Zhao; For example, folk writers, the Northern Wei Dynasty epitaphs, the aesthetic values have changed. Although both acknowledge that creation is the spiritual soul’s needs and the spiritual soul’s taste, its development is distinctly different, which has enabled the development of calligraphy. Their aesthetic value orientation, access to the psychological meaning of individual forms of expression, constitute the promotion of calligraphy art activities to