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随着陶瓷绘画的发展,工艺的复杂性使传统古彩和粉彩均无力达到真正自由的文人写意境界,而新彩却能够非常简单地做到这一点,新彩瓷在清末已毫无疑问跻身于艺术绘瓷主流,并且逐渐摒弃了历代写意瓷画的民间特色而更倾向于文人风格,近现代的文人风格到当代的新文人风格,新彩写意瓷画已走
With the development of ceramic painting, the complexity of the process makes the traditional ancient and pastel are unable to reach the real freedom of literati freehand mood, but the new color is very simple to do this, the new color porcelain in the late Qing Dynasty has no doubt Among the mainstream of art-painted porcelain, and gradually abandon the folk characteristics of the past porcelain paintings and more inclined to the style of the literati, modern literati style to the contemporary style of the new literati,