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他说今年要好好过,今年是他的本命年。他今年三十六岁,经历却坎坷得象个饱经苍桑的老人。是不是该怪他的性格?他确实与常人不同,在他那儿似乎找不到一点儿束缚。那一张从不停歇,也从不饶人的嘴,今天能气得你跺脚咒他,明天又被他逗得哈哈大笑。戏剧界少有人不知道他的,也少有他不称兄道弟的。他就是边兰星,中国青年艺术剧院形体设计师,而很多时候他则是个难得的导演。还记得当年的《魔方》、《高加索灰阑记》、《死罪》、《初恋时我们不懂爱情》……吗?创作话剧众说不一,形体戏剧褒贬掺半。然而那争论的本身就是一种承认。今年中国儿童艺术剧院复排新版《马兰花》,当年
He said that this year should be better than this year is his Benzhi year. Thirty-six years old this year, he experienced as rough as Cangsang elderly. Is it not to blame his character? He is indeed different from ordinary people, where he seems to find a little restraint. That one never stop, never forgive the mouth today, you gasped him curse him, and tomorrow he was laughing. Few people in the drama do not know him, and few of them are not brothers and sisters. He is Bian Lanxing, the body designer of China Youth Art Theater, and often he is a rare director. Still remember the year of the “Rubik’s Cube”, “Caucasus slumped”, “death”, “first love we do not understand love” ...? The creation of drama different, physical drama mixed with half. However, the controversy itself is a recognition. This year, China Children’s Art Theater, a new version of “Malan Flower”, then