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钢琴演奏是音乐表演环节的方式之一,同样具有二度创作的成分,表演者承担着诠释作品基本面貌的任务同时,也呈现着自身。表演者的演奏是复杂的心理与实践相结合的过程,主体的内心听觉和想象通过相应的技巧转化为可听的音响。演奏过程不仅仅是技巧的机械展示,更重要的是主体如何在感性与理性的融合中,达到音响与内心的高度统一。在此过程中,作品与演奏者的内心听觉、内心听觉与实际音响间,在反映与被反映关系中达到音心对映状态。通过分析其美学内涵的存在并进一步指导演奏实践,对于钢琴演奏者具有一定的实际意义。
Piano playing is one of the ways of music performance. It also has the composition of the second degree creation. The performer undertakes the task of interpreting the basic features of the work at the same time as it presents itself. Performer’s performance is a complex process of combining psychology and practice. The subject’s inner hearing and imagination are transformed into audible sound through corresponding techniques. The performance process is not only a mechanical display of skills, but more important is how the subject achieves a high degree of unity between the sound and the heart in the integration of sensibility and rationality. During this process, the inner hearing of the works and performers, between the inner hearing and the actual acoustics, reaches the state of audio-mind mapping in the relationship between reflection and reflection. By analyzing the existence of its aesthetic connotation and further guiding its performance, it has some practical significance for the pianist.