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“标题音乐”一词,真正的重点不在标题(title)而在程序(program)。即,音乐的内容和形式是依据一个事先预定的程序来完成的,而这个程序是作曲家以音乐的手法,来描写非音乐的事物的某种先行设计。标题的文字只是内容的提示,便于听赏者有想像的方向和空间,它甚至可以在作品完成之后再“追加”上去。从类型上来看,标题音乐大体上有四个种类:自由形式的标题管弦乐曲、交响诗、标题序曲和标题交响曲。以音乐的手法来完成预设的程序,大致上有三个原则:模拟、比喻和象征。
“Title music ”, the real focus is not on the title but in the program. That is, the content and form of music is based on a predetermined program, which is a preconceived design of composers who describe non-musical things by means of music. The text of the title is just a reminder of the content, making it easy for the listener to have the direction and space imaginable. It can even go “append” after the work is completed. From the genre point of view, there are generally four types of title music: free-form title orchestra, symphonic poem, title overture and title symphony. There are basically three principles for completing a preset procedure in terms of music: simulation, metaphor, and symbolism.