诗歌矿藏中的一颗宝石——读《琴剑诗系·孙敬伟诗选》

• 作 者: 刘广利
• 机 构: 中国刑事警察学院,
• 出 处: 森林公安
• 发表日期: 2017年02期

或许是为了论述的方便,文学史家、评论家往往热衷于为林林总总的文学思潮和现象命名,这种情形在诗歌评论界表现得尤其明显。而诗人通常不愿意被贴上标签,这恐怕不仅因为包括诗歌在内的一切事物都处于生成和流变中,诗人恰恰对此感触尤深,还因为任何概括性的判断都难免挂一漏万,容易在突出客体的某种特征的同时,对丰富、鲜活、蕴含着无限可能的创作主体和充满张力

Perhaps for the convenience of discussion, literary historians and critics are often keen on naming the numerous literary currents of thought and phenomena, especially in the poetry critics. And poets are often unwilling to be labeled, not only because everything, including poetry, is in the process of formation and change, the poet is particularly touched by this, but also because of any general judgment is inevitable While highlighting a certain characteristic of the object, it is essential for the rich, vivid and boundless creative subject and full of tension