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王建疆认为,中国古代审美的民族传统或民族识别标志是内审美,即一种不同于具有外在对象和外在感官参与的内在精神境界型、内景型、想象型的审美。这种内审美具有深厚的历史文化根源,并对外在感官型审美产生抑制和提升的作用;其功能在于提升人生境界,实现人格的完善。这种内审美与西方的超验审美相比,具有同时涵盖先验审美和经验审美的特点。现代审美困惑的根源在于这种内审美的被遮蔽和被遗忘,从而导致所谓“审美和艺术的救赎”的不可能实现。审美的救赎首先在于自救,在于恢复内审美的优良传统。阎国忠通过从西方美学史传统中对超验美的关注由集中到分散,再到被忘记,现在又受到重视的历史的回顾,指出西方美学的真正传统离不开超验的美。这种超验的美在一个充分感官化和欲望化了的时代是非常需要的,超验美的存在也是美学之谓美学的根本价值所在。王元骧认为,西方美学思想史上有亚里士多德、柏拉图两大传统。前者倡导的是经验性、外观性的审美,后者倡导的是超验性、内省性的审美。由于近代西方哲学是在自然科学的影响下而发展起来的知识论、认识论哲学,这使得亚里士多德的传统在近代西方美学思想史上占据明显的优势,但同时柏拉图的传统也从未终止。今天,我们在马克思主义实践论美学的基础上把两大系统加以融合,不仅有助于对美学学科作出正确的定位,拓展美学研究的领域,而且也是通过与中国传统美学思想开展对话、走向融合,实现美学民族化的一条切实而有效的途径。
According to Wang Jianjiang, the ancient national aesthetic or ethnic identity of the Chinese nation is internal aesthetic, which is different from inner spiritual realm, interior landscape and imaginative aesthetic with external objects and external senses. This kind of internal aesthetic beauty has deep historical and cultural roots and functions of restraining and enhancing the external sensory aesthetic. Its function is to enhance the realm of life and achieve the perfection of personality. Compared with the transcendental aesthetics in the West, this aesthetic aestheticism has the characteristics of both a priori aesthetic experience and aesthetic experience. The root cause of modern aesthetic confusion lies in the hidden and forgotten aesthetic beauty of the interior, which leads to the impossibility of the so-called “aesthetic and artistic redemption.” Aesthetic redemption, above all, lies in self-help, and lies in the fine tradition of restoring the beauty of internal auditing. Yan Guozhong focused his attention from the tradition of Western aesthetics history on the transcendental beauty from focus to dispersion, then forgotten, and now he has paid much attention to the historical review, pointing out that the true tradition of Western aesthetics can not be separated from the beauty of transcendental beauty. This kind of transcendental beauty is very much needed in an era full of sensualization and desires. The existence of transcendental beauty is also the fundamental value of aesthetic aesthetics. According to Wang Yuan-tao, there are two traditions of Aristotle and Plato in the history of western aesthetic thoughts. The former advocates the experience of aesthetic appearance, the latter advocates the transcendental, introspective aesthetic. Since modern Western philosophy was developed under the influence of natural science, epistemology and epistemology philosophy made Aristotle’s tradition occupy obvious advantages in the history of modern western aesthetic thoughts, but at the same time, the tradition of Plato was never stopped . Today, on the basis of Marxist Practical Aesthetics, we have to integrate the two systems. This not only helps to make the correct positioning of the aesthetic disciplines and expand the field of aesthetics, but also through dialogues with the traditional Chinese aesthetic ideas and convergence , To achieve aesthetical nationalization of a practical and effective way.