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一,书写析义“骨气形似,皆本于立意而归于用笔”(《历代名画记》),张彦远这里说的是绘画目的所求的形与意,需从用笔之手段和过程而来。而1500年前,中国画的形态是今天概念上的“工笔”一类,谢赫提出“骨法用笔”是针对勾勒线条的。随绘画史的发展,骨法用笔中的“书写性”充分发挥,从笔端机趣到直抒胸臆,写意为尊的民族审美习惯渐渐养成。书写性用笔成为最具中国画艺术特色的审美。当然,书画同源而不同一,书法的写法与绘画的画法是有区别的,绘画要求生动具体的表现对象,用笔自然有“书写性”和“制作性”两个方面。书写性用笔、主观、抽
First, the interpretation of the writing “bone shape, are based on the intention and attributed to the pen” (“Famous Paintings in ancient history”), Zhang Yan Yuan here is the purpose and purpose of the painting, from the pen means and process Come. And 1500 years ago, the shape of Chinese painting is today the concept of “Meticulous ” category, Sheikh “bone method pen ” is aimed at sketching lines. With the development of the history of painting, the method of “writing” in the method of bone is given full play, and the aesthetic habits of the nation are gradually developed from the point of view of the machine to the expression of the mind and the expression of respect for the mind. Writing pen with pen to become the most aesthetic characteristics of Chinese painting art. Of course, painting and calligraphy are different from each other in the same way. The calligraphy is different from the drawing method. The painting requires vivid and concrete performance objects. The pen naturally has two aspects: “writing” and “making” . Writing pen, subjective, pumping