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当代中国人物画中的实验性水墨,是当代画家对于情感的一种表达,一种精神的诉求。在水墨的精神世界里,画家进行着无限的实验和探索,通过对笔墨的时代性挖掘、形式的多元探索、题材的现实性反思与描绘、情感的真挚表达,并诉诸于观念意识形态,使水墨人物画在对传统文化精华的攫取中,从“有法”到“无法”的探索。可以说实验性水墨在绘画语言的转型方面,已在一定程度上脱离了传统的窠臼,是意义上的真正转型
The experimental ink painting in the contemporary Chinese figure painting is a kind of expression of the emotion and a spiritual appeal of the contemporary painter. In the spiritual world of ink and wash, the painter carried out an infinite experiment and exploration. Through the excavation of the era of ink and calligraphy, the multiple exploration of forms, the realistic reflection and delineation of the theme, the sincere expression of emotion and resort to the concept of ideology, Make the ink-and-wash painting on the exploration of the essence of traditional culture from “law” to “not”. It can be said that in the transformation of the painting language, the experimental ink and wash ink has departed from the traditional wisdom to a certain extent and is a real transformation in meaning