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我十分偏爱文人树盆景,正因如此,我对所有关于文人树的文章都格外予以关注,并认真拜读有关文人树的文章很多,但留给我印象最深的还是苏本一先生的《赋于新时代文人树以新的生命》(以下简称“赋文”见《中国花卉盆景》2001.8) 他在“赋文”中对文人树的历史、现状及今后的发展趋势分别作了精辟的论述我在闲来无事之时常读这篇文章,并经常循“赋文”的文脉,深入到文人树的腹地源头进行观光采风探奇览胜。每次归来,必有所得;现将管窥锥指,串缀一起,作记如下。 1.“赋文”说“文人树的艺术风格,源于文人画”现在,我们就循着这条文脉探下去看看这一说法有什么根据以及产生文人树的历史背景。中国盆景有着悠久的历史。但当我们冷静地思考之后,就发现了盆景背后的辛酸与无奈,盆景没有属于自己的独立的理论体系,它至今无法独
I strongly favor the literati bonsai and for this reason I have paid special attention to all the articles on the literati tree and have carefully read many articles about the literati tree. However, what impressed me the most is whether Mr. Su Benyi’s “ New Life of Literati in New Era ”(hereinafter referred to as“ Fu Wen ”see“ Chinese Flower and Bonsai ”2001.8) In his“ Fu Wen ”in the history of the scholar tree, the status quo and future trends were made a brilliant exposition I In idle time often read this article, and often follow the “Fu Wen” context, deep into the source of literati trees in the hinterland of tourism and wind exploration won. Every return, there must be income; 1. Fu Wen says that the artistic style of the literati tree stems from literati painting. Now, we follow this article to explore the basis for this statement and the historical background of the literati tree. Chinese bonsai has a long history. But when we think calmly, we find the bitterness and helplessness behind the bonsai. The bonsai does not belong to our own independent theoretical system, so far it can not alone