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格拉斯在文学创作中发挥他的美术特长,美术思维是构成他的文学创作思维的重要元素。一方面,他常换笔来交替思考同一对象,善于从文学和美术的不同角度去审视同一对象,以不同的表现方式去描绘;另一方面,他在创作中将两者融合后创新,他把来自美术的灵感运用到文学中。叙述中,他借助文学与美术之间在艺术的运思上均是以生动、可感的形象、意象来负载主旨的相似之处,借助美术艺术的印象主义表现手法,将语言艺术与直观的美术艺术相嫁接,从而传达出用平白的叙事语言难以表达的立体美的韵味。文本中语言与绘画怡然地组合,形成文字与图画融合共生、相映成趣、内蕴无穷的图景。
Grasse exerted his artistic specialty in literary creation, and artistic thinking constituted an important element in his thinking of literary creation. On the one hand, he often changes his pen to think about the same object alternately. He is good at looking at the same object from different perspectives of literature and art and depict it in different ways. On the other hand, he merges the two in the creation and innovates. Apply inspiration from art to literature. In his narration, he used the vivid and sensible image and imagery to carry the similarities of the theme through the artistic thinking of literature between art and fine arts. By means of the impressionistic expression of art and art, he compared the art of language with the art of intuition Art grafting, so as to convey the plain beauty of the three-dimensional charm with plain language. The combination of language and painting in the text creates a symbiosis between words and pictures, which leads to an endless stream of images.