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二十世纪末 ,后殖民文化以其不可违逆的强势在中国文化的前沿登陆。大众伦理出现混乱状态 ,消费主义和享乐主义盛行。世纪末七十年代生女作家的另类写作 ,以时代赋予的特质回应了历史 ,在文本中袒露了女性无理性的欲望。卫慧、棉棉无疑是其中最典型的两位 ,她们以前卫的躯体、前卫的消费、前卫的叙述构筑了世纪末文坛最惹眼的风景 ,这道风景被窥破之后 ,袒露的是她们在后殖民文化心态驱使下的欲望泛滥。
At the end of the twentieth century, post-colonial culture landed at the front of Chinese culture with its irresistible strength. The public ethics was in a state of chaos, with consumerism and hedonism prevailing. The alternative writings of female writers in the seventies of the end of the century responded to the history with the qualities given by the times and exposed the irrational desire of women in the text. Wei Hui, cotton cotton is undoubtedly one of the most typical of the two of them with avant-garde body, avant-garde consumption, avant-garde narrative built the most eye-catching landscape of the end of the century the scenery, this road was glimpsed, bare is that they are The desire under the colonial cultural mentality flooded.