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也许是我的偏爱,我一直认为,一个电影文学剧本能写出人物的历史感和人生感,无疑是剧作的上品。而这种历史感、人生感一旦反映在银幕上,如果达到一种境界,则更是属于电影的精品。从我第一次读到《阙里人家》的电影文学剧本(刊于《电影新作》1992年第2期),到最近连续看了两遍据以拍摄完成的影片,就给我以这种审美上的满足。的确,《阙里人家》的电影文学剧本是我近年来读到的一部有着丰富内涵和生活厚度的佳作。有故事,有人物,又孕有一定的哲理意蕴。剧本围绕离休干部孔令谭与儿子孔德贤由于历史原因造成的隔阂、矛盾和孔德贤与儿子孔维本间新旧观念发生冲撞的故事,既写了两对父子在对待家庭伦理道德问题上的不同态度,又表现了现代意识与传统观念的激烈冲突,藉此颇有意蕴地折射出了人生旅途所应
Maybe it is my preference, I always think that a movie script can write the historical sense of life and sense of life, is undoubtedly the top grade drama. And this sense of history, sense of life once reflected on the screen, if you reach a state, it is more of a movie boutique. From the first time I read the film literary scripture of “Que Li Ren Jia” (published in “The New Movie”, 1992, No. 2) until recently, I watched it twice to finish the filming and gave me this Aesthetic satisfaction. Indeed, the literary script of Que People is a masterpiece I have read in recent years with rich content and thickness of life. There are stories, figures, pregnant with some philosophical implications. The play revolves around the gap between the retired cadre Kong Lingtan and his son Kong Dexian due to historical reasons, the contradiction and the collision between Kong Dexian and his son Kong Wei’s old and new concepts, which not only wrote the different attitudes of the father and son in treating the family ethics, But also shows the fierce conflict between the modern consciousness and the traditional concept. By this, it reflects the meaning of life journey