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上海人民艺术剧院和法国马赛国家剧院合作排演的《三剑客》,以一种崭新的面貌出现在我国话剧舞台上,演出获得了巨大的成功。我有幸在上海人艺观看了马歇尔·马雷夏尔先生排演《三剑客》的全过程,新颖、巧妙的导演处理使我受益匪浅。马歇尔·马雷夏尔导演以丰富的想象力,大胆地在历史剧里加进了现代手法。主人公、年轻的达尔大尼央来到火枪手总部后,问:“喂,这是火枪手总部吗?”这时,导演要求场上的火枪手纹丝不动,象电影“定格”。这个处理的目的.显然要表现在场火枪手的英姿。从“定格”受到的启发,使入注意到全戏的处理借助于蒙太奇的技
The “Three Musketeers” rehearsed by the Shanghai People’s Art Theater and the French National Theater in Marseille have appeared on the drama stage of our country with a new look and achieved great success. I was fortunate enough to watch the entire process of rehearsing the “Three Musketeers” by Mr. Marshall Marechal in the art of Shanghai. The novel and ingenious directorial treatment has benefited me greatly. Director Marshall Marechal has boldly added modern techniques to historical drama with his rich imagination. The protagonist, the young Dahlgren Nirvana, came to the Musketeer headquarters and asked, “Hey, is this musketeer headquarters?” At this moment, the director demanded that the musketeers on the court should not move, like the movie “Stop Motion”. The purpose of this treatment is obviously to show the presence of musketeers heroic. Inspired by the “stop-motion”, it took into account the whole game’s processing with the help of montage techniques