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贾平凹的小说不仅着力于批判现代都市文明,同时也不吝于对传统乡村文化进行自我否定。他擅长把客观化的文本书写与社会现实结合起来,将传统与现代的激烈冲突与碰撞抽剥出来,在叹惜和留恋传统文化美好消失的同时,不忘批判农民人性中的劣根性;在认识到都市现代文明的进步性的同时,却又满怀着对城市文化侵蚀传统农耕文化的这个现代性文明进程的深切忧虑与反思,呈现出在乡村与都市、传统与现代之间的个人冲突、融合与突围。在贾平凹的小说《带灯》中,虽然大多论者皆致意于贾平凹对底层乡村政治现实书写的当下意义,然而笔者认为,《带灯》一文仍然延续了贾氏的这种文化冲突与突围的写作传统,也试图从这个视角来对小说作个人阐释的努力,以便丰富对这部小说的读解。
Jia Pingwa’s novels focus not only on criticizing modern urban civilization, but also on their own denial of the traditional rural culture. He is good at combining the objective text writing with the social reality, stripping out the intense conflicts and clashes between the traditional and the modern, while not forgetting the bad roots of the peasant humanity while sighing away and nostalgic for the traditional culture. While recognizing At the same time, it is full of anxiety and reflection on the progress of modern civilization which erodes the traditional farming culture by urban culture. It presents the personal conflicts between rural and urban, tradition and modernity, Break through. Although Jia Pingwa is most concerned with the current significance of Jia Pingwa’s writing of the political reality of the underlying countryside in Jia Pingwa’s novel The Lantern, I believe that the article entitled “Lamps with Light” still extends Jia’s cultural conflicts and breakthroughs Writing tradition, but also trying to make a personal interpretation of the novel from this perspective, in order to enrich the reading of the novel.